Friday, April 20, 2012

OT Cello Musings

With the premiere of Shore's Cello Concerto just a week away, I thought maybe it would be interesting to take a quick look at an article from today's (April 20, 2012) Chestnut Hill Local:

I’ll be honest: while I’ve been to hundreds of plays and concerts, I went to an orchestra performance for the first time this year. As a caretaker to an elderly family member, I found myself at the Bryn Athyn Orchestra’s spring matinee performance. In my late 20s, I was certainly one of the youngest people in attendance. 
As for myself, I think the assertion that there will never be another great classical composer is incredibly arrogant. Perhaps, being so young and still waiting for my chance to stun the world, it’s my naiveté that leaves me so galled. But it seems to me that reflexive assumptions about the impossibility of unknown future greatness would be the death knell of any arts organization. 
Bach, Vivaldi and Mozart, et al, have plenty of company on my iPod: they’re joined by Hans Zimmer, Howard Shore, Yann Tiersen, John Williams and Philip Glass. I would certainly consider attending live performances of music by these and many more living composers. 
Of course, the panel discussion would not have been complete without some hearty vilification of cantankerous critics: “corrosive”, “poisonous” and “a destructive force” were just some of the phrases used to describe injustices at the hands of music writers. Some attendees bemoaned the role of the Inquirer in perpetuating bad criticism.

You can read Alaina Mabaso's full article HERE. Even if I don't agree with every sentiment expressed, it's an intriguing thought piece ... especially framed by the debut of Shore's new concert work.
blog comments powered by Disqus
Image copyrights and trademarks are held by their respective owners and their use is allowed under the fair use clause of the Copyright Law | Original Blog Content Copyright 2007 - 2012 Middle D, Inc. | Original Blog Template by www.blogerthemes.net